Mystique Tape Machine Tape Saturation Download Mac

What is Tape Saturation?

• Mystique is a tape machinesimulator. It was designed for real time processing and zero-latency, ideal for live sound! Convert your digital console channel into an analog recording tape machine and give warmth to your digital audio! Internal oversampling. Transformer decoupling function.
• Oct 19, 2016 Cana San Martin of Argentina has released the tape machine simulator Mystique for free, which allows you to bring back the warmth in your digital console. This plugin works with internal oversampling and has got a transformer decoupling function. A bias control and a bass and treble booster is included in this windows-only tool too.
• Tape includes three different tape machine types in one plug-in. Type A is based on a classic Swiss high end reel-to-reel machine, known and loved for its precision and linearity. Type B is much more colorful—it's a transformer based machine which adds extra weight and cream to the low end.
• Nostalgic Saturation. Tape Cassette 2 is an audio plugin that emulates the warmth, noise and character of old tape cassettes. Following up from our well received Tape Cassette 1, we've updated the plugin with a sleek interface and more changes under the hood too.
• May 31, 2017 Saturation or in this case tape saturation is a phenomenon which stands for analog tape recording. It describes a state in which voltage level is exceeding the tape`s ability to record it. When the signal is being sent to a tape recorded, the voltage is sent to an electromagnet in the recording head. The plastic film (or tape) has a surface.

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Mystique Tape Machine Tape Saturation Download Mac Pro

Saturation or in this case tape saturation is a phenomenon which stands for analog tape recording. It describes a state in which voltage level is exceeding the tape`s ability to record it. When the signal is being sent to a tape recorded, the voltage is sent to an electromagnet in the recording head. The plastic film (or tape) has a surface made of oxide iron powder. To record the signal on the tape, the recording head of the recorder magnetize each of the iron oxide particles on the tape by varying amounts over time. This becomes a linear representation of the original alternating current and this is where the saturation occurs.

Inside a Tape Recorder

In the tape recorder for example, when the input voltage exceeds the system limit or the saturation threshold of the tape, the iron oxide molecules of the tape reach their maximum magnetic potential. In other words, they can not be polarized any further and neither hold any more amplitude. As a result, the signal gets compressed and distorted in a nonlinear fashion. This means that when the part of the signal passes the saturation point, that part of the signal does not represent the frequencies or the amplitude of the original signal. This is the actual signal which is sent to the recorder and instead, it is it’s distorted and compressed version.

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Famous Tape Recorders

What Is Tape Saturation

One of the famous tape recorders from the previous century that marked the sound of some of the legendary recordings is Studer J37. Swiss recording pioneer Will Studer designed this1“ 4- track machine. Released in 1960`s the J37 was presented as Studer`s first multitrack machine that was a true technological breakthrough, embodying versatility, functionality, and simplicity in what was then a state-of-the-art machine. In 1965, Abbey Road Studios purchased four new J37s. They were using it on almost every recording until 8-track machines appeared in 1969.

Following the rigorous testing process required by EMI of all equipment used at Abbey Road, they made four to the J37s. Firstly, they added wheels to make the units easily transportable. Secondly, they installed a Bulgin 3-prong socket to enable the connection of an oscillator. This was handy when using the machine at non-standard speeds. Finally, they introduced the EQ preset switch.

Amazing Frequency response

The frequency response of the machine was outstanding. It was reaching 18 kHz at the high-end EQ. Along with its 52 vacuum tubes, this enabled it to produce a rich spectrum of tonal colors. Part of the distinctive sound of recordings made at Abbey Road Studios during the 60s and 70s was down to the use of special tape formulas. EMI developed them for exclusive use in its studios. These were EMI TAPE 888 (the early ’60s), EMI TAPE 811 (mid’60s) and EMI TAPE 815 (early ‘70s). Each possessed its own unique frequency response and harmonic distortion behavior. This lent a distinctive timbre to recordings.

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Tape Saturation Vst

While the J37 was used on many famous recordings, it is perhaps best known for its innovative use on The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Producer George Martin utilized the machine not only for recording but also as a creative production tool. He was bouncing tracks between two J37s and creating layer upon layer of sound to achieve groundbreaking sonic textures.

Additional Resources & Source Texts

Tape Saturation Wiki

http://www.waves.com/behind-the-j37-tape